Psalms the Music of Heaven

[Deo Gratias]

St. Ambrose of Milan

Early Church Father & Doctor of the Church

What is more pleasing than a psalm? David expresses it well: Praise the Lord, for a song of praise is good: let there be praise of our God with gladness and grace. Yes, a psalm is a blessing on the lips of the people, a hymn in praise of God, the assembly’s homage, a general acclamation, a word that speaks for all, the voice of the Church, a confession of faith in song. It is the voice of complete assent, the joy of freedom, a cry of happiness, the echo of gladness. It soothes the temper, distracts from care, lightens the burden of sorrow. It is a source of security at night, a lesson in wisdom by day. It is a shield when we are afraid, a celebration of holiness, a vision of serenity, a promise of peace and harmony. It is like a lyre, evoking harmony from a blend of notes. Day begins to the music of a psalm. Day closes to the echo of a psalm.


In a psalm, instruction vies with beauty. We sing for pleasure. We learn for our profit. What experience is not covered by a reading of the psalms? I come across the words: A song for the beloved, and I am aflame with desire for God’s love. I go through God’s revelation in all its beauty, the intimations of resurrection, the gifts of his promise. I learn to avoid sin. I see my mistake in feeling ashamed of repentance for my sins.


What is a psalm but a musical instrument to give expression to all the virtues? The psalmist of old used it, with the aid of the Holy Spirit, to make earth re-echo the music of heaven. He used the dead gut of strings to create harmony from a variety of notes, in order to send up to heaven the song of God’s praise. In doing so he taught us that we must first die to sin, and then create in our lives on earth a harmony through virtuous deeds, if the grace of our devotion is to reach up to the Lord.


David thus taught us that we must sing an interior song of praise, like Saint Paul, who tells us: I shall pray in spirit, and also with understanding; I shall sing in spirit, and also with understanding. We must fashion our lives and shape our actions in the light of the things that are above. We must not allow pleasure to awaken bodily passions, which weigh our soul down instead of freeing it. The holy prophet told us that his songs of praise were to celebrate the freeing of his soul, when he said: I shall sing to you, God, on the Lyre, holy one of Israel; my lips will rejoice when I have sung to you, and my soul also, which you have set free.

The collection of psalms found in Scripture, composed as it was under divine inspiration, has, from the very beginnings of the Church, shown a wonderful power of fostering devotion among Christians as they offer to God a continuous sacrifice of praise, the harvest of lips blessing his name. Following a custom already established in the Old Law, the psalms have played a conspicuous part in the sacred liturgy itself, and in the divine office. Thus was born what Basil calls the voice of the Church, that singing of psalms, which is the daughter of that hymn of praise (to use the words of our predecessor, Urban VIII) which goes up unceasingly before the throne of God and of the Lamb, and which teaches those especially charged with the duty of divine worship, as Athanasius says, the way to praise God, and the fitting words in which to bless him. Augustine expresses this well when he says: God praised himself so that man might give him fitting praise; because God chose to praise himself man found the way in which to bless God.


The psalms have also a wonderful power to awaken in our hearts the desire for every virtue. Athanasius says: Though all Scripture, both old and new, is divinely inspired and has its use in teaching, as we read in Scripture itself, yet the Book of Psalms, like a garden enclosing the fruits of all the other books, produces its fruits in song, and in the process of singing brings forth its own special fruits to take their place beside them. In the same place Athanasius rightly adds: The psalms seem to me to be like a mirror, in which the person using them can see himself, and the stirrings of his own heart; he can recite them against the background of his own emotions. Augustine says in his Confessions: How I wept when I heard your hymns and canticles, being deeply moved by the sweet singing of your Church. Those voices flowed into my ears, truth filtered into my heart, and from my heart surged waves of devotion. Tears ran down, and I was happy in my tears.


Indeed, who could fail to be moved by those many passages in the psalms which set forth so profoundly the infinite majesty of God, his omnipotence, his justice and goodness and clemency, too deep for words, and all the other infinite qualities of his that deserve our praise? Who could fail to be roused to the same emotions by the prayers of thanksgiving to God for blessings received, by the petitions, so humble and confident, for blessings still awaited, by the cries of a soul in sorrow for sin committed? Who would not be fired with love as he looks on the likeness of Christ, the redeemer, here so lovingly foretold? His was the voice Augustine heard in every psalm, the voice of praise, of suffering, of joyful expectation, of present distress. Pope St. Pius X